Tom Hardy – Brawler, Charmer, Hollywood Courtier

Edward Thomas Hardy may have made some of his most accomplished films well under the radar and off the beaten path before now, but his steady rise from BBC everyman to Hollywood Courtier is nothing if not a meteor of classic talent fueled by celebrity star power.  His quick wit and lasting charm is second only to his animal magnetism, his self-professed desires to get at what makes us afraid undeniably inviting, to channel our deepest, darkest fears and surprise us once we get there together.  He cut his acting teeth on a string of articulate, stand out character roles in films that earned him attention and accolades, strung together like a stepping stone path straight to notoriety in the press and producer’s attention everywhere else.  He was a serious actor way before the spot lot found him, sought after for his ability to inhabit the roles of varied souls and own them, make them far more than the sum of their parts.  Most have little to no chronological appreciation of his career, the years in service of the crown and country, stage plays and films, television series and others.  He’s played type and one-offs, done the gritty street tread builders and others, most notably Inception and The Dark Knight Rises for the big box office world market crowd, Tinker Tailor Soldier Spy for the award show calculators and a chance to work with his idol (Gary Oldman), low-budget brawler films like Bronson and RocknRolla, and slick kick ass floppers like Sucker Punch.  But Hardy’s inevitable glory is surely upon us now, in the here of a decade plus of films, making a solid run for the big, big bright lights and we can’t seem to get enough of his rising star.

If Hardy’s career has indeed risen and his name is in check for household bankable, it will be John Hillcoat’s (The Road, The Proposition) prohibition era slice of Americana flick Lawless that will solidify what some of us already know – that he brings a depth and warmness to his portrayals, a sense of something going on before and after the last curtain call.  Perhaps in this case the frothy breath of popular hot topic conversations have it right, the bubbling that’s stirring, in part for what he’s done before now if not for what’s up just ahead – Hardy’s first title role in the aging Mad Max franchise will perhaps be his great shining moment or signal a leveling out.  It’s hard to know if he’ll maintain the staying power of any one of his idols, de Niro or Sean Penn, even Gary Oldman continues to shape change and surprise, moving steadily from one generation to another with all the ease of the very best in Hollywood and elsewhere.  Careers are built on success and failures though, every big-biggest poised ever so near box office disaster because there is no formula for success, at least none that we know today.

Hardy has earned quite a reputation for bare fisted brawlers and wounded souls, but early on it was the BBC mini-series The Virgin Queen and ITV’s WutheringHeights that got him going, the latter of which earned him a BAFTA Rising Star Award for Best Actor.  Hardy is a naturalist at heart, easy to believe in, ready to fill any and every role with the kind of genuineness many American actors spend a career time fashioning from the crash and burn of box office successes and tabloid fire storms, ultimately reborn in serialized network and cable television like Gary Sinese, Jim Caviezel, Ice-T, Ice Cube and L.L Cool J.  Hardy surprises the way he carries himself like a card carrying member of Brando’s method school of verisimilitude, perhaps most notably his transformational aptitude to gain (42 pounds to become the prison braggadocios Bronson) and shed weight too, change his face and body type, moving from James Bond license to impress to vicious vaudeville institutional with such ease as to fool audiences into believing it’s no big deal.  He did what Mark Wahlberg did in the beginning, following his good looks wherever they may go; in Hardy’s case he won The Big Breakfast’s Fine Me A Supermodel competition and at age 21 garnered a contract with Models One.  He was slated for formal training at Drama Centre London that same year but detoured into the HBO-BBC miniseries Band of Brothers, both a wise career move in terms of the popularity of Band, and one that put him on Ridley Scott’s radar and consequently making his feature film debut in Black Hawk Down.  A string of notable performances in films and projects would follow, including awards and world exposure in North Africa before a series of projects laden with awards and accolades.  From there it was stage and screen, one after the other and often at the same time, a brutal schedule that seemed only to further his prominence and inevitable fame, perhaps no better exemplified than his ability to stand toe to toe with considerably more seasoned actors and take their steam.  If Christopher Nolan’s epic run-on sentence box office megalith put Hardy in mainstream running for whatever project he wanted, it was his announcement to play his first title role in a new version of Mad Max that would have critics and audiences fawning over his every next move.

Tom Hardy has a bright career ahead of him, a strong outlook on what he wants to do and how he approaches the art and craft of acting that shows open skies ahead and a growing fan base around the world.  He’s quoted everywhere as actor that likes to dig into a role and get the stuff down deep where every character lives, breathes and dies in the hearts and minds of an audience.  “Have you ever been in the same room with a dangerous animal?” Hardy is quoted as saying when prompted about his career of masks and layers.  Another source goes on to include, ”This what I’m aiming for. That’s what I need. I want to be a beast, like my acting idols.”

”Gary Oldman, Robert de Niro and Sean Penn,” he lists as his heroes and that seems about right company.

About rorydean

Rory Dean is a multi-medium artist, writer and new media strategist with a background as a creative consultant and technology liaison in the San Francisco Bay Area. His broad experiences and specialties include print-to-web publicity, promotions and design marketing using traditional and social media networks. As a motion pictures and television professional, his short films, productions and commercials have screened to domestic and international audiences. His connections to a diverse client base include artists, entertainers, corporations, non-profits and everyday people.. Dean is co-owner and founder of Dissave Pictures, a boutique production company focusing on audio, video, photography and multi-media designs. Dean's personal and professional background includes dreaming and avid notebook journaling, creative and copy writing, promotions and marketing, audio/video production, photography, videography, editing, web design and new media. He’s also a fan of collaboration and knows when to turn the reigns over, offer feedback, lead the team and step aside. His portfolio includes print, online, film, video, photography, graphic design and promotions. He’ll show you. He has a book and everything. "When not juggling various online worlds, I do a pretty good mime – but that’s another story."
This entry was posted in Movie Makers & Shakers, Online, Speak-Freely and tagged , , , , , , , , , , , , , . Bookmark the permalink.

19 Responses to Tom Hardy – Brawler, Charmer, Hollywood Courtier

  1. Livi says:

    I love him so much in everything he’s done, and he deserves all the fame he can get. Way to highlight a superb actor Rory!!!

    • rorydean says:

      Cheers – thanks for the visit. Yes, Hardy is one to watch. He reminds me a lot of Sean Penn and of course knowing he idolizes Penn, de Niro and Gary Oldman makes him even more appreciable.

  2. Rodney says:

    Did you ever see him in This Means War?

    Talk about slumming it – but I guess everyone just needs a paycheck from time to time… 😉

  3. Brett says:

    I never realized how extensive Tom Hardy’s career has been until one of the girls I work with at DISH directed me to his IMDB page. This guy has been in so many movies that I’ve seen, but I never recognized him. I’ve been rewatching many of his movies through my Hopper’s Blockbuster @Home app, and it’s been nice to finally put a name to a face. I also enjoy the opportunity to watch his acting skills once more through without ever having to leave my couch! I’m really looking forward to him in Mad Max since I heard that Mel Gibson personally gave Hardy his blessing to take up the role.

    • rorydean says:

      Yeah, it is a little surprising when you actually sit down and go over his credits. He’s been thrown into the light with these last handful of films but as you point out, he’s been busy. I’m not familiar with Hopper’s Blockbuster @Home app, will have to check it out. I’m also excitedly about Mad Max, lets hope it’s not another failed reboot/revisit/redo disaster. Thanks for dropping by.

      • Brett says:

        I’ve heard it’s supposed to be the next chapter, and I’m hoping that’s true because I think that re-doing what has already been done so well is desperate, and beneath a role that Hardy would take. After checking out EW’s pictures of some of the vehicles and weapons, I have high hopes that it’s going to be good!

      • rorydean says:

        Yes! This could very easily go bad, real bad, bad as in the fumbled ball of so many other reboots and revisits, re-imaginings and what have you – from Psycho to The Thing to 80s television from The Flinstones to A-team ,etc.,etc. I’m mostly excited though with Hardy because if anyone can he can.I’ll go check out that EW coverage. Thanks for visiting.

  4. Pingback: Warner Bros. Blu-ray Elite Team Member Wrap Up | Above the Line

  5. Pingback: Above The Line:Practical Movie Reviews Birthday News Year 2.5 | Above the Line

  6. Pingback: Dark Knight Rises (2012) | Above the Line

  7. Pingback: Lawless (2012) | Above the Line

  8. RSS Movie says:

    You can definitely see your skills in the paintings you write. The world hopes for even more passionate writers such as you who are not afraid to mention how they believe. At all times follow your heart.

  9. Pingback: » Movie Review – 21 Jump Street Fernby Films

  10. Pingback: Above the Line: End of the Year (2012) Wrap Up | Above the Line

  11. Pingback: » Movie Review – Locke Fernby Films

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s